8 October 2015

A FIRST GLACE TO HALF-DIMINISHED ARPEGGIOS

For me the half-diminished arpeggio is a sonority always full of expressive potentials and therefore well suited to be seen from different perspectives. I’ve tried here to […]
22 August 2015

DOMINANT CHORDS WITH ALTERED 9TH

Dominant 9th Chords The Dominant chord, with its inner tension to resolve to the tonic, is the real core of the tonal system. The reason for […]
17 June 2015
Maggiore Armonica_armonizzazione

HARMONIC MAJOR? WHAT?

The Harmonic Major Scale Even though a listener’s musical ear could feel satisfied with just the major and minor scale… we want more, right? Some musicians […]
15 January 2015
E major scale

PLAYING WITH OPEN STRINGS

Playing With Open Strings For a long time I gave little consideration to scales with open strings, but now I want to make things right. I […]